15h00 – Keynote address Modern Architecture in Teofilo Rego Archive Alexandra Trevisan (CEAA / Escola Superior Artística do Porto, Portugal)
15h30 – coffee break
15h45 – Session 1 - Chair: Iñaki Bergera
Behind the camera: Catalonian architectural photographers Yolanda Ortega Sanz (ETSAB/ Universitat Politècnica de Catalunya, Spain)
A quest for modernism: Photography and architecture in the works of Mário Novaes, 1920’s-1930’s Paulo Ribeiro Baptista (IHA/FCSH - Universidade Nova de Lisboa, Portugal) The 'Salt of the Stones': Preliminary Remarks on Architecture and Photography – the ZRB files Pedro Barreto (CEAA/Escola Superior Artística do Porto, Portugal) 17h05 – coffee break
17h20 – Session 2 - Chair: Jorge Pimentel
The Photography’s role in the construction of the modernity discourse in Bogotá. Analysis of the PROA Magazine Case (1946-1951) María Catalina Venegas (National University of Colombia)
The photography in the Spanish Pavilion at the IX Trienal, Milán 1951 Anna Martinez Duran, Isabela de Rentería Cano (La Salle Ramón Llull University, Spain) and Claudia Rueda Velázquez (University of Guadalajara, México)
Visualizing Portugal: Pedro Cid´s Pavilion at 1958 Brussels World’s Fair through photography Antonio S. Río Vázquez (ETSAC / Universidade da Coruña, Spain) and Silvia Blanco Agüeira (CESUGA / University College Dublin)
Mediating and Materializing / Perceiving and Participating: an exhibition script on Photography and Architecture. Joana Mateus and Inês Azevedo (Museu Casa da Imagem / Fundação Manuel Leão)
Photography as a tool for archiving modern architecture heritage in the United Arab Emirates Marco Sosa and Lina Ahmad (Zayed University, United Arab Emirates)
20h00 – cocktail
April 23
10h00 – Keynote address Focusing the Gaze: Photography and Modern Architecture in Spain Iñaki Bergera (University of Zaragoza, Spain) 10h30 – coffee break 10h45 – Session 4 - Chair: Joana Mateus
Seeing Double: Modern Architecture, Photography and the Automobile Christopher S. Wilson (Ringling College of Art + Design, Florida, USA)
Light Signs, the Work of Teófilo Rego for Neolux Miguel Moreira Pinto (CEAA/Escola Superior Artística do Porto, Portugal)
Diane Arbus, Thomas Ruff and Fernando Guerra. Photogenic on the portrait photography and architectural photography Jorge Marum and Daniela Ribeiro (University of Beira Interior, Portugal)
12h30 – Lunch
15h00 – Session 5 - Chair: Pedro Barreto
Photographic Interpretations, Imagining and Re-imagining Architecture Razia Latif (Beaconhouse National University, Pakistan)
Portraying Modernism: Ezra Stoller's and Julius Shulman's different approaches António Mesquita and Pedro Leão Neto (Faculdade de Arquitetura da Universidade do Porto, Portugal)
16h00 – coffee break
16h10 – Session 6 - Chair: Alexandra Trevisan Photography and vernacular architecture: the Portuguese approach Alexandra Cardoso and Maria Helena Maia (CEAA/Escola Superior Artística do Porto, Portugal) Shaping Vision: The photographic work by Aris Konstantinidis Josefina Gonzalez Cubero (ETSA / Universidad de Valladolid, Spain) A photography enquiry on the natural order of architecture. Edward Allen’s picture of trulli building technique Angelo Maggi (Department of Architecture Construction Conservation, Università IUAV di Venezia, Italy) 17h30 – coffee break 17h40 – Session 7 - Maria Helena Maia
Photography, territorial description and design. Proposal for a methodological use of the medium Andrea Oldani (Department of Architecture and Urban Studies, Politecnico di Milano, Italy)
The photographic practice for architecture Giaime Meloni (LAVUE – CRH, France and Facoltà di Ingegneria Architettura – Università degli studi di Cagliari, Italy) Contested rights: architectural photographs as precarious objects Sarah Borree (University of Edinburgh, UK) 19h00 – Port wine
April 24 10h00 – Keynote address Photography and "déjà vu" in the architectural culture. Somewhere between theory and practice Pedro Bandeira (Escola de Arquitectura /Universidade do Minho, Portugal) 10h30 – coffee break
10h40 – Session 8 - Chair: Pedro Bandeira The image of modern architecture in the Polish feature films of the 1960s - a photographic recording of modernity Adam Nadolny (Division of History of Architecture and Urbanism, Faculty of Architecture. Poznan University of Technology, Poland)
Iconic photographs into film. The case of Le Corbusier and his use of photographic language Veronique Boone (ULB Faculté d’architecture La Cambre-Horta, Brussels, Belgium and ENSAPL, Lille, France) Collages and photomontages in architectural representation. The photographic works of Teófilo Rego Jorge Cunha Pimentel (CEAA/Escola Superior Artística do Porto, Portugal) 12h00 – Conference closure